The story-telling event that made me want to become a writer was the premier of the classic TV show, Route 66. I was 17, doing so-so in high school, lacking plans and ambition, going nowhere. But all that changed at 8:30 p.m. on the first Friday of October in 1960 when a drama about motion gave me a destination. The series was about two young men (brilliantly portrayed by Martin Milner and George Maharis, the latter eventually replaced by Glenn Corbett) who drove a Corvette convertible across the United States in search of America and themselves. Providing a time capsule of 1960-64, every episode was filmed entirely on location–from Poland Springs, Maine, to Huntington Beach, California; from Seattle to St Louis to Tampa and a hundred communities between. Two-thirds of the episodes were written by Stirling Silliphant, who eventually received an Oscar for In the Heat of the Night and whose scripts for ROUTE 66 were an intriguing blend of intense action and philosophic/poetic speeches that sometimes lasted five minutes, with a flavor of Tennessee Williams combined with William Inge and Arthur Miller. As a bonus, the great arranger-composer Nelson Riddle contributed a new musical score every week, often with a jazz flavor. The series so knocked me over that I wrote to Silliphant, explaining my sudden ambition to follow his path. The long letter he sent in return gave me all the advice any writer needs. "Write, write, keep writing, and then write more." That letter is framed next to my desk. Eventually, Silliphant and I became friends and colleagues. In 1989, I was thrilled to see him listed as the executive producer of my NBC miniseries, Brotherhood of the Rose. Twenty-nine years after Route 66 debuted, a circle was completed, even as the road continued. -- David Morrell, New York Times bestselling author of FIRST BLOOD and CREEPERS

After discovering that his late father has gone through most of the family fortune, Tod Stiles hits the title trans-America highway in his Corvette in search of adventure with friend Buz Murdock, a survivor of New York's mean streets. The two work odd jobs as they meet and interact with colorful characters and find themselves plunged into one situation after another, some of them romantic, some of them very dangerous. Later, Linc Case, a Vietnam war hero trying to find himself, takes over as Tod's travel companion.

泛亚公路是一部旅行纪录片，展示了真实亚洲的不断转型。这是一个西起土耳其，东至中国和日本等32个国家组成的公路网。

Jeune avocate d’affaires dans un prestigieux cabinet parisien, Roxane voit sa vie bouleversée quand son mari, associé du cabinet, est accusé de viol. Ramenée malgré elle dans la cité de son enfance, elle va tenter de se reconstruire en tant qu’avocate pénaliste au tribunal de Bobigny.

Jeune avocate d’affaires dans un prestigieux cabinet parisien, Roxane voit sa vie bouleversée quand son mari, associé du cabinet, est accusé de viol. Ramenée malgré elle dans la cité de son enfance, elle va tenter de se reconstruire en tant qu’avocate pénaliste au tribunal de Bobigny.

暂无剧情简介

英国广播公司(BBC) 最新动画卡通《小鸟三号》荣获法国安锡国际电影节第15届上海电视节白玉兰奖的海外动画片金奖，是一部适合0-6岁儿童观赏的精致动画卡通。故事叙述在小鸟街3号里，一群可爱的小鸟们，每天发生的有趣故事。 《小鸟三号》以鲜明色彩及逗趣声音表情吸引儿童。一群在小鸟街3号生活的小鸟们，在树枝上学习与玩耍，充满温暖的情感，大家在树梢上唱歌、跳舞还有吹口哨。每一集中，将跟着可爱的小鸟“三毛”、他最好的朋友“露露”和可爱的妹妹“菲菲”，一同唱歌跳舞，在小鸟们美妙的歌声中，学习宽容、耐心、互助合作等。 此剧的功用在于，用电视潜移默化的教育方式，培养小朋友在团体生活互助互信的精神概念，教导小朋友在社群生活中如何与他人相处，并且成为一个主动学习、积极求教的人。

英国广播公司(BBC) 最新动画卡通《小鸟三号》荣获法国安锡国际电影节第15届上海电视节白玉兰奖的海外动画片金奖，是一部适合0-6岁儿童观赏的精致动画卡通。故事叙述在小鸟街3号里，一群可爱的小鸟们，每天发生的有趣故事。 《小鸟三号》以鲜明色彩及逗趣声音表情吸引儿童。一群在小鸟街3号生活的小鸟们，在树枝上学习与玩耍，充满温暖的情感，大家在树梢上唱歌、跳舞还有吹口哨。每一集中，将跟着可爱的小鸟“三毛”、他最好的朋友“露露”和可爱的妹妹“菲菲”，一同唱歌跳舞，在小鸟们美妙的歌声中，学习宽容、耐心、互助合作等。 此剧的功用在于，用电视潜移默化的教育方式，培养小朋友在团体生活互助互信的精神概念，教导小朋友在社群生活中如何与他人相处，并且成为一个主动学习、积极求教的人。

该剧被称作「现代童话」，故事描述游手好闲但长相迷人的Dud在父亲死后加入一个长滩兄弟会，以寻求简单幸福的生活方式。在兄弟会的宿舍里，他和其他成员逐渐建立了感情，并且找到了失去的人生目标和意义。他将直面自己内心最深的恐惧和最大的希望。其他关键角色包括Dud的双胞胎妹妹Liz Dudley和兄弟会宿舍里的长期住户Ernie Fontaine。Ernie是个黑人，他用自己的方式欢迎Dud来到这个神秘的新世界。（cr 天涯小筑）

海豚帮帮号 第一季